My first lesson plan comes from Read, Write, Think and is called “Poetry Circles: Generative Writing Loops Help Students Craft Verse.” I loved this lesson plan! Many students struggle with appreciating, comprehending, and writing poetry. Students not only learn to understand and write poetry, but they discover how to use new vocabulary and imagery. The students interact and play with language while writing poetry using generative writing loops, which are a type of poetry circle.
This lesson helps the students to:
- Use creativity to bring poetry into action
- Craft poems as a means of scaffolding
- Foster knowledge of poetic conventions and traditional forms
- Access their power as creators and theory makers
- Express themselves creatively and strengthen written expression skills
- Engage as a social learning group with a common goal—learn to negotiate, create, and synthesize information as a group
Once you have introduced the students to the assignments you assign roles to the members in the group such as:
1. Image Weaver: This person must provide at least two concrete images for the poem.
2. Language Keeper: This person must supply five exotic words for the poem and provide wordplay. The group must then incorporate the Language Keeper’s words into the poem.
3. Metaphor Generator: This person must supply at least two fresh metaphors or similes for the poem. To create a sense of unity in the poem, the Metaphor Generator should look at the Image Weaver’s images before writing the metaphors.
4. Music Maker: This person is responsible for creating a sense of music in the poem, without depending on overly obvious rhyme (e.g., cat, hat, that) This person must take the Language Keeper’s five words and generate five more words that sound musical alongside them (e.g., if the Language Keeper has provided “eclectic”, the Music Maker might choose to provide “electric”). During the sonnet-writing exercise, this person will need to come up with all the major sounds of the poem. Create an A sound, a B sound, a C sound, a D sound, and an E sound.
5. Meter Keepers (sonnets only): All of you are responsible for whittling down your lines into 10-syllables for the final product.
After you assign the topics of the poems and the features of the type of poem you wish the class to construct , the groups can begin working on the assignment. After the poems are finished, the groups read their poems aloud to the class. You then hand out a poem, such as the Italian sonnet “What Lips My Lips Have Kissed, and Where, and Why (Sonnet XLIII)” by Edna St. Vincent Millay. You have a few students read this poem and then ask the students if they can recognize the type of poem and why.
I believe that you could incorporate the “I” Poem approach to this lesson, as well as morphemic analysis during word play. Poetry can also be used to play with words and show how forms of words are relative.
This lesson complies with IRA/NCTE standards:
2 - Students read a wide range of literature from many periods in many genres to build an understanding of the many dimensions (e.g., philosophical, ethical, aesthetic) of human experience.
3 - Students apply a wide range of strategies to comprehend, interpret, evaluate, and appreciate texts. They draw on their prior experience, their interactions with other readers and writers, their knowledge of word meaning and of other texts, their word identification strategies, and their understanding of textual features (e.g., sound-letter correspondence, sentence structure, context, graphics).
11 - Students participate as knowledgeable, reflective, creative, and critical members of a variety of literacy communities.
12 - Students use spoken, written, and visual language to accomplish their own purposes (e.g., for learning, enjoyment, persuasion, and the exchange of information).